NEW RESEARCH, INTERVIEW, PODCAST: Nancy C. Unger, “Legacies of Belle La Follette’s Big Tent Campaign for Women’s Suffrage”

Nancy C. Unger analyzes of the “big tent” yet “Janus-faced” suffrage arguments promoted by Bella La Follette in the pages of La Follette’s Magazine, demonstrates how, over two decades at the start of the twentieth century, La Follette deftly melded social justice and expediency arguments with the aim of attracting as diverse an array of suffrage supporters as possible. This included La Follette’s willingness to chide middle class white suffragists for their overt racism. While Unger concludes that the wide-ranging arguments of La Follette and others helped bring the Nineteenth Amendment to fruition, “they also reinforced lasting cultural, political, economic, ideological, and social differences between the sexes and among women. Listen to this podcast from the Journalism History site of Dr. Unger talking about her article, links to which are below. Taylor & Francis has opened access for the period April 15 to July 15, 2019.

Pages: 51-70
Published online: 11 Apr 2019

(This page will take you to all the synopses of articles in American Journalism’s special issue, “Women’s Suffrage and the Media.”)

Here below, Dr. Unger  responds to the questions: What prompted you to choose this topic and what surprised or fascinated you as you conducted your research?

“As a scholar of the long Gilded Age and Progressive Era, I have long been fascinated by the progressive reform tradition coming out of the Midwest.  After writing Fighting Bob La Follette: The Righteous Reformer (University of North Carolina Press, 2000; Wisconsin Historical Society Press, 2008), I turned my attention to Bob La Follette’s wife, Belle Case La Follette (1859-1931).  Belle La Follette: Progressive Era Reformer (Routledge 2016) was the result.  I admire this married couple’s lifelong dedication to reform.  She, for example, was not only a journalist, outspoken proponent of civil rights, and ardent advocate of world peace and disarmament, but also a leader in the women’s suffrage movement.  However, some of her activism, especially her “big tent” approach to the latter, gave me pause.

“Belle La Follette used mutually exclusive arguments to promote women’s suffrage.  Even as she made feminist appeals for suffrage, advocating equality of the sexes, she also used traditional gendered arguments, presenting women as qualified to vote by virtue of their domestic natures.  By combining these approaches she (and others like her) certainly brought a wide-ranging set of supporters to the cause—but at what price?”

“It is discouraging to me that even today, some of the old arguments espoused by La Follette, that women are naturally more domestic and altruistic than men, still contribute to society’s disparate treatment of the sexes.  So I think it’s important for groups seeking reforms or a particular candidate’s election to ponder such questions as: Do the ends justify the means?  Do the reasons matter why a reform or candidate gain support, or should gaining support be the sole consideration?  What unintended consequences can result from promoting a contradictory campaign, especially a winning one?  What’s the risk of not promoting an argument that could enhance the chance for victory?

Despite my criticisms of some of La Follette’s tactics, in the process of research this article, I was impressed all over again by the breadth and depth of her dedication to reform based in democratic principles.  Even as she was fighting for women’s suffrage, I was particularly struck by this white woman’s equally intense efforts to combat efforts by the Woodrow Wilson administration to racially segregate Washington, DC.  The African-American community responded with enthusiasm and gratitude.  African-American activist Nannie Helen Burroughs hailed La Follette as “the successor of Harriet Beecher Stowe,” and lawyer James Hayes told La Follette, “We thank God for such a white woman as you. We thank God for sending you to us and we thank you for coming. A few more like you would awaken the sleeping conscience of the nation.”  Despite my concerns about some of her tactics, I find her an inspiring example of a person truly dedicated to uplifting all Americans.”

NEW HISTORIOGRAPHY, VIDEO, PODCAST INTERVIEWS: Linda Lumsden, “Historiography: Women’s Suffrage and the Media”

Linda Lumsden’s (University of Arizona) introduces our special issue of American Journalism, with a prodigious historiography of suffrage and the media research across the past half-century. Decade by decade, she traces the scholarly research trends—and gaps—from the recovery efforts in the 1970s, through the cultural-historical and media coverage analyses in the 1980s, to intersectional approaches of black feminist scholars in the 1990s that challenged earlier accounts. As the century turned, scholars considered suffragists’ contributions to consumer culture and cast a critical eye on the visual rhetoric of spectacle in the form of parades and the White House pickets. By 2017, as the national centennial celebration commenced, three new books reflected on “the golden media effect” of elites with style, money and celebrity-like appeal who became engaged with the movement in its final decade. Much suffrage media research has been piecemeal, Lumsden argues. She calls for fresh comprehensive examinations of how U.S. suffrage print culture drew women into the public sphere and changed them both. Listen as Dr. Lumsden discusses her historiography for this episode of the Journalism History podcast.

In the video below, Dr. Lumsden expounds briefly on what emerged from her work on the historiography of research into the subject of women’s suffrage and the media, from the 1970s through the decades until today. (This page will take you to all the synopses of articles in American Journalism‘s special issue, “Women’s Suffrage and the Media.”) The direct links to the article are below. Taylor & Francis opened full access for the period April 15-July 15, 2019.

Pages: 4-31
Published online: 11 Apr 2019

 

NEW RESEARCH, INTERVIEW, PODCAST: Amy Easton-Flake: “Fiction and Poetry in the Revolution and the Woman’s Journal: Clarifying History”

Amy Easton-Flake (Brigham Young University) analyzes—in tandem for the first time—the literary works that appeared in the Revolution, the organ of the National Woman Suffrage Association, and the Women’s Journal, published by the American Woman Suffrage Association. Easton-Flake finds that the fiction and poems were an integral part of each journal’s polemics as the fiction and poems they published articulated and advocated their organization’s respective views of the new woman and the changes most needed for her advancement. Listen to Dr. Easton-Flake talk about her research for the Journalism History podcast.

Here, Dr. Easton-Flake (Brigham Young University) responds to the questions: What prompted you to choose this topic and what surprised or fascinated you as you conducted your research? (This page will take you to all the synopses of articles in American Journalism’s special issue, “Women’s Suffrage and the Media.”):

 

“My article focuses on the poems, short stories, and novels that appeared in the early years of the Woman’s Journal (1870-71) and the Revolution (1868-May 1870). I am fascinated by the many novels written for and against woman’s suffrage, and the ways in which they complemented more polemical genres by personalizing political conflict, fostering sympathetic identification, and providing a safe space for authors to imagine and illustrate female citizens and how suffrage would improve or hurt families and society.  For those interested in the topic, Leslie Petty’s Romancing the Vote (2006) and Mary Chapman and Angela Mill’s Treacherous Texts: U.S. Suffrage Literature, 1846-1946 (2011) are must reads.

 

“I decided to specifically focus on the literary works appearing in the Woman’s Journal and the Revolution for a couple of reasons. First, blanket stereotypes about the American Association and National Association are well known, but the reality is much murkier as many of these stereotypes do not hold up under a close analysis of the pages of their journals. In focusing on the literary works and the polemical texts that surround them, I hoped to bring clarity to what defined and separated these two organizations. Second, knowing that Elizabeth Cady Stanton had approached Harriet Beecher Stowe to write a suffrage novel and to take over as editor of the Revolution (Stowe turned down the offer), I was intrigued to see how Cady Stanton had used literary works to further the causes she promoted in the Revolution.

 

“What most surprised me during the research process was how many poems in each of the organs did not have an overtly polemical message (in contrast, most of the short stories are overtly polemical). This is particularly true of the Woman’s Journal where of the 160 poems that appear in the journal during its first year of publication only eight (a mere 5 percent) deal with women’s rights, wrongs, or advancing in some way women’s place beyond that of wife and mother. This fact caused me to re-think the many different ways that literary works could contribute to a polemical agenda. For instance, in this case, including poetry that celebrated the feminine ideals widely embraced in nineteenth-century America, Lucy Stone implicitly but repeatedly argued that the AWSA’s aims and goals were not revolutionary but in fact compatible with middle-class sensibilities.

 

“Turning to the Revolution we find many more poems that have an overtly polemical message, but we also find a number of well-known poems on ideal love by famous authors such as Elizabeth Barrett Browning, William Shakespeare, and Alfred Lord Tennyson. Analyzing how these re-published poems on ideal love were not at odd with the polemical pieces calling for women’s rights or attacking inequities in the marriage state but in fact complementary was one of the most exciting parts of the research process. Likewise, discovering that the two novels Cady Stanton published in the Revolution focused on men’s mistreatment of women within the private sphere rather than woman suffrage also spurred new insights on what separated and defined the National Woman Suffrage Association and the American Woman Suffrage Association.” Below are the links to the article. Taylor & Francis have provided open access for the period April 15-July 15, 2019:

 

Pages: 32-50
Published online: 11 Apr 2019

NEW RESEARCH, INTRODUCTION, VIDEO, PODCAST INTERVIEWS: WOMEN’S SUFFRAGE AND THE MEDIA

The following is excerpted from the Introduction to American Journalism‘s special issue

 WOMEN’S SUFFRAGE AND THE MEDIA

(Spring 2019):

Links to the articles in the issue are found here. Taylor & Francis has opened access for the period April 15-July 15, 2019.

Key to the eventual triumph of the campaign after seven decades of struggle was its effective use of media in myriad forms, among them, publications, posters, postcards, and news releases to invite coverage of its parades, pageants, mass meetings, protests, and pseudo-events. Just as important, especially in the campaign’s final decade, was the editorial support the movement began to enjoy from popular mainstream newspapers and magazines.

The special issue opens with a state-of-the-field essay on the suffrage movement and the media, followed by five new offerings to its canon. The first explicates the philosophical and editorial postures of two dedicated suffrage publications as seen through their respective uses of poetry and fiction. The next two essays examine the disparate ways three progressive-to-radical small press magazines exhibited their movement support. The final two essays assess the reporting and biased responses of the mass circulation press to aspects of the pro- and anti-suffrage campaigns. Deliberate, unconscious, and reflexive media messaging is the three-strand thread that bastes the five essays together. This emerges from the editorial choices of two major suffrage journals, in the suffrage coverage of three sympathetic small press magazines, and in the responses of mass circulation newspapers to the efforts, ideas and actions of suffragists and anti-suffragists at two specific points.

 

“Historiography: Women’s Suffrage and the Media”

Linda Lumsden – University of Arizona

Dr. Lumsden introduces our special issue with her prodigious historiography of suffrage and the media research across the past half-century. Decade by decade, she traces the scholarly research trends—and gaps—from the recovery efforts in the 1970s, through the cultural-historical and media coverage analyses in the 1980s, to intersectional approaches of black feminist scholars in the 1990s that challenged earlier accounts. As the century turned, scholars considered suffragists’ contributions to consumer culture and cast a critical eye on the visual rhetoric of spectacle in the form of parades and the White House pickets. By 2017, as the national centennial celebration commenced, three new books reflected on “the golden media effect” of elites with style, money and celebrity-like appeal who became engaged with the movement in its final decade. Much suffrage media research has been piecemeal, Lumsden argues. She calls for fresh comprehensive examinations of how U.S. suffrage print culture drew women into the public sphere and changed them both. Video link here and posted below.

 

 

“Differently Radical:

Suffrage Issues and Feminist Ideas in the Crisis and the Masses”

Linda Grasso – CUNY-York

Developing racialist themes more broadly, Dr. Grasso takes on the “differently radical” approaches to the suffrage question of the NAACP’s the Crisis, under the leadership of W.E.B. Du Bois, and of the Masses under editor Max Eastman. She underscores the “radicalized racialism” of the 1910s as manifested in these two magazines, one with a black readership, the other with a white one. They were as united in their support for women’s suffrage as they were divided by their distinct political imperatives. Grasso’s close look at the 1915 suffrage issues of both magazines illustrates their divergent perspectives on gender discrimination and disenfranchisement. “When examining suffrage media rhetoric,” Grasso writes, what’s important is to consider “race in gendered radicalism and gender in race radicalism.” Video link here and posted below.

 

“Mediating Political Mobility as Stunt Girl Entertainment:

The Newspaper Coverage of the Suffragists Hike to Albany,”

Tiffany Lewis – CUNY-Baruch

Dr. Lewis acknowledges that the welcome avalanche of mainstream press coverage of New York’s suffrage hikers indeed subverted aspects of the suffragists’ purpose. For as the women walked the 170 miles from New York City to Albany in December 1912, the press often mocked and made light of their trek. She further contends that by portraying their pilgrimage as a journey of “adventurous, determined, and emotional heroines of an action-packed serial,” the press managed to publicize, represent and domesticate the meaning of the women’s public mobility in a way that made their activism seem less alarming and more intriguing. Video link here and posted below.

 

“Covering a Countermovement on the Verge of Defeat:

The Press and the 1917 Social Movement Against Woman Suffrage”

Teri Finneman – University of Kansas

Finally, no new research on suffrage and the media would be complete without attention to the anti-suffragists, which Dr. Finneman provides with her work on local press coverage of the antis in the critical year of 1917, when their efforts neared defeat. Through the use of textual analysis and framing, and social movement theory, Finneman’s essay enhances the literature on press portrayals of counter-movements. Video link here and posted below.

 

“Fiction and Poetry in the Revolution and the Woman’s Journal:

Clarifying History”

 Amy Easton-Flake – Brigham Young University

Dr. Easton-Flake begins to answer Lumsden’s call. She analyzes—in tandem for the first time—the literary works that appeared in the Revolution, the organ of the National Woman Suffrage Association, and the Women’s Journal, published by the American Woman Suffrage Association. Easton-Flake finds that the fiction and poems were an integral part of each journal’s polemics as the fiction and poems they published articulated and advocated their organization’s respective views of the new woman and the changes most needed for her advancement. READ MORE

 

“Legacies of Belle La Follette’s Big Tent Campaigns for Women’s Suffrage”

Nancy C. Unger, Santa Clara University

Dr. Unger’s analysis of the “big tent” yet “Janus-faced” suffrage arguments promoted by Bella La Follette in the pages of La Follette’s Magazine, demonstrates how, over two decades at the start of the twentieth century, La Follette deftly melded social justice and expediency arguments with the aim of attracting as diverse an array of suffrage supporters as possible. This included La Follette’s willingness to chide middle class white suffragists for their overt racism. While Unger concludes that the wide-ranging arguments of La Follette and others helped bring the Nineteenth Amendment to fruition, “they also reinforced lasting cultural, political, economic, ideological, and social differences between the sexes and among women.” READ MORE

 

 

We thank the sponsors of this project, American Journalism and the American Journalism Historians Association, Humanities New York, New York University’s Faculty of Arts and Science and the NYU Arthur L. Carter Journalism Institute, the Philip Merrill College of Journalism at the University of Maryland and Temple University’s Klein College of Media and Communication. We salute the incomparable “Team SuffMedia” volunteers: Maurine Beasley (University Maryland), Jinx Broussard (Louisiana State University), Kathy Roberts Forde (University of Massachusetts), Carolyn Kitch (Temple University), Brooke Kroeger (New York University), Linda Lumsden (University of Arizona), Jane Marcellus (Middle Tennessee State University), Vanessa Murphree (University of Southern Mississippi), Jane Rhodes (University of Illinois-Chicago), Ford Risley (Pennsylvania State University), and Linda Steiner (University of Maryland.) Their names are as likely to appear in the footnotes to these essays and throughout the literature of women’s history as they are in this acknowledgment.

—Brooke Kroeger, for the team

 

VIDEO DOCUMENTARY: The Black Sorority Project : The Exodus (2006)

From the YouTube post: “This is a full-length, 45 minute feature chronicling the lives of 22 Howard University women, members of the Delta Theta Sigma sorority, who marched in the Women’s Suffrage March of 1913. “The Black Sorority Project: The Exodus” is a 2006 film by Derek Forjour and Jamar White.

The Unyielding Search for the Original Declaration of Sentiments

The New York Times on February 8, 2019 reviewed the search started during the Obama administration to find the original Declaration of Sentiments from the 1848 Seneca Falls Convention, which to date  has come up dry. One theory is that there never was an acutal document, but that the sentiments were gathered in notes sent to Frederick Douglass’s newspaper, the North Star, for compilation and printing. Here is the New York Times article.

When Political Women Wear White – Time, Washington Post, New York Times, CNN

The decision of Democratic US congresswomen to don white for the State of the Union address February 5, 2019 occasioned stories about the color’s symbolism, notably in the Washington Post, the New York Times, and Time. CNN took up the topic in 2017 in this opinion piece by Louise Bernikow. 

 

CNN: “Red, White or Pink? Women’s Rights Don’t Come Color-Coded” and MOOCS with Alice Kessler-Harris

March 10, 2017

For a CNN opinion column, author Louise Bernikow looks at the colors ascribed to the fight for women’s rights and argues that although she understands the importance of “visual symbols of solidarity,” ascribing meaning to colors can lead to “peculiar and often misleading interpretations of history.” As an example, Bernikow looks at the white so often associated with the suffrage movement. She can also be seen and heard on a series of MOOCs for Columbia University and the New York Historical Society, with Bernikow and Alice Kessler-Harris, emerita professor of history at the university.

 

Essence Magazine: “The Suffrage Movement Included More Than Two Women and So Should the Monuments”

 

Essence Magazine offered this opinion column by Michelle Duster, the great granddaughter of Ida B. Wells, an important suffragist and civil rights leader. New York State has approved monuments of Sojourner Truth and “General” Rosalie Gardiner Jones. The artist Meredith Bregmann has designed the proposed sculpture of Susan B. Anthony and Elizabeth Cady Stanton for Central Park. 

The Tate Museum’s Collection of Sylvia Pankhurst’s Watercolors

London’s Tate museum, a leading art institution in Britain, acquired four watercolor paintings made by women’s rights leader Sylvia Pankhurst in December 2018.

In addition to pushing the cause of suffrage in Britain, Pankhurst was also a talented painter. The paintings acquired by Tate depict the lives of British women working in mills and potteries. They were acquired 100 years after women got the right to vote in Britain.

The Tate museum explains:

Sylvia Pankhurst used her skill as an artist to highlight the fight for women’s rights. She originally trained at the Manchester Municipal School of Art and the Royal College of Art, and went on to design badges, banners and flyers for the Women’s Social and Political Union (WSPU), a group set up by her mother and sister in 1903. In 1907 she spent several months visiting industries in Northern England and Scotland, documenting the poor working conditions and low wages experienced by women. She lived in the communities she studied, creating vivid watercolours and written accounts of the people she met, which were later published in the London Magazine and the WSPU journal Votes for Women. She eventually gave up art in 1912 to dedicate herself fully to the suffrage campaign, founding the East London Federation of Suffragettes to ensure the representation of working-class women in the movement.

The paintings will be permanently housed at Tate Britain, located in London, starting in 2020. Read the entire press release about the watercolors here.

Image credit for watercolor on this page:

Sylvia Pankhurst, In a Glasgow Cotton Mill: Minding a Pair of Fine Frames, 1907, (gouache on paper, 450 x 300 mm).