Interview: Elaine Weiss on her book “The Woman’s Hour: The Great Fight to Win the Vote”

Journalist and author Elaine Weiss‘ new book The Woman’s Hour: The Great Fight to Win the Vote is a page-turning history of the fight over suffrage in Tennessee. The state’s 1920 ratification of the 19th Amendment clinched suffrage for the whole country.

Alex Kane, a researcher for this site, spoke with Weiss on the phone about her new book, her research method and the role of the media in Tennessee during the intense battle over women’s rights in the state. (For further reading, see the Smithsonian Magazine’s article about the book.)

Alex Kane: Before getting into questions related to the content of your book, I’d love to hear about your research process for writing it. What were the most helpful sources you used in constructing the story, and was there any genre of media, like newspapers or private letters, that you used more often than other types of sources?

Elaine Weiss: I’m trained as a journalist and was a journalist all my career. So, for me, it’s the combination of reading the newspaper accounts and the archives and juxtaposing them that I find so fascinating.

My first line of research was at the Tennessee State Library and Archives. Carrie Catt, the president of the National American Woman Suffrage Association, is in residence in Nashville for six weeks during this final fight. She’s directing the National’s campaign there. She either donated or just left all her correspondence from the months of May, June, July and August [1920 to the archives].

The state archives have a very nice collection of documents, memoranda, letters that go between the Tennessee suffragists who are trying to encourage her to mount a fight, to mount a ratification campaign in Tennessee, even though it does not look terribly promising at the beginning, in the early summer months. They’re trying to convince her that Tennessee can do it. And there are all kinds of problems for Tennessee. And they’re discussing that. So that was incredibly valuable. And there are newspaper clippings, and best for me was the clipping service—the national headquarters would send all the relevant clippings from other newspapers to Carrie Catt in batches. Those are there, and those include cartoons from other publications around the country and editorial articles about it. So, there’s a very rich archive for me to reconstruct those days almost by the hour. That was my first source.

Also, at the Tennessee State Library and Archives, I was able to buy microfilm so I could have the letters of the prominent anti-suffragist, who was also working in Nashville during this time. I could get the official letters of the governor, who’s very involved in this fight.  Just there in Nashville, I was able to have a pretty nice beginning. They also had a vertical file which had an assortment of articles, including during the 1940s and 1950s, of people reminiscing who were still alive. That was very useful.

The second line of archival research was the Library of Congress. There were the official papers of both the National American Woman Suffrage Association and the Women’s Party. And the Women’s Party papers were especially useful to me because these were the daily memoranda and the letters and notes that were going back and forth between [suffrage leader] Alice Paul, who remained at headquarters in Washington, and her lieutenants, who she sent to Tennessee. They’re organized in the Library of Congress file on that microfilm chronologically, which was great for me. I could read from May until September or October, but I had to go through the archives every day. I had to wade through a fair amount. But it was a gold mine. It was everything that went in and out of the office. And so I could have some things that you wouldn’t think would be useful, like the secretary at the headquarters’ office writing to women who would donate ten dollars and giving an update on what the mood was at headquarters that day. And she’d say, “we’re very upset because this has happened and this has happened. We don’t believe that the men are going to do this,” and so I could get an unofficial sense of what was going on from the wonderfully catty secretary. And that’s all in the Library of Congress.

The next line was the daily newspapers in Tennessee, and I could get most of this either through microfilm from the Tennessee archives or on the Library of Congress’ Chronicling America. That usually ends at the first phase ends in 1922, which is perfect for me since this is all taking place in 1920. A few of the smaller Tennessee newspapers and one of the Memphis papers is in that catalog of newspapers.

And then I needed The National Tennessean, which is on ProQuest. I could do a search and have all the papers they subscribe to which are the major ones for me: The New York Times, The Washington Post, The Wall Street Journal, Chicago Tribune, Baltimore Sun, and The Christian Science Monitor. And all of these newspapers have different attitudes toward suffrage, and you could see the difference between the editorial policy and the reportage—very interesting for a journalist to observe. And they all give me different perspectives and they covered what was happening in Nashville in different ways. Many of them have reporters on the scene. Some of them just took AP wire reports. It was really interesting to use a combination of the Tennessee newspapers, which in some ways were more detailed, and then the major national newspapers which were covering this.

AK: What was the media landscape like in Tennessee regarding suffrage? What kind of division or consensus existed among newspaper publishers on the issue of suffrage?

EW: In Tennessee, it’s fascinating. One of the prime subplots of my book is the feud that is playing out between the two major newspaper publishers in Nashville at the time. So you have Luke Lea, who is the founder and the publisher of The Nashville Tennessean, a pretty major newspaper. And he had been a U.S. Senator. He had been a war hero in World War I and he founds The Tennessean to be a mouthpiece for his political views, which are pretty progressive for the time. He’s always been a suffrage supporter, even when he was in the U.S. Senate. He’s also a Prohibitionist. He’s a dry advocate. And that’s very clear in his newspaper because he is supporting the suffragists and the ratification fight.

The other major national newspaper at the time is The Nashville Banner, which is founded and published by a man named Edward Stahlman. He is a German immigrant—came as a boy—and self-made man who, before he bought the newspaper, was an executive of the Louisville and Nashville Railroad, which had enormous economic and political power in the state. These two men are mortal enemies.

It gets really ugly. The Tennessean calls Stahlman unpatriotic during World War I because he’s German. There’s an FBI investigation of him as an enemy alien. And this is playing out during the suffrage fight. The Banner has never been a real supporter of suffrage, but was kind of neutral, and was okay in its reportage. But then comes this big fight. Stahlman promises the suffragists that he’ll support them and then he betrays them, and it has very much to do with this personal feud and newspaper feud because they slam each other in the editorials. They call each other names. It’s really quite colorful.

But this has real ramifications for the suffrage fight in Tennessee. So it’s really fascinating seeing these two media barons who hate each other personally duke it out in their newspaper column inches, and the way they cover the events are very, very different too. In some ways The Banner, the anti-suffrage publication, gives me a perspective and some reporting from the other side that’s very valuable to me to recreate what’s happening. In the rest of the state it really depended. This is a time when every little place had its own newspaper. In Memphis there’s The Commercial Appeal, which is kind of neutral or negative on suffrage, and The Memphis Scimitar is very pro-suffrage

In Chattanooga it gets even more interesting. Imagine MSNBC and Fox News in each city in Tennessee, and they have really different approaches and different attitudes. You have a newspaper called The Chattanooga News, which is owned by a very progressive newspaperman named George Milton. His wife is the president of the Tennessee suffragist organization. So she’s in the battle, he’s there in Nashville writing complimentary editorials for the suffragists. The other major newspaper in Chattanooga is Adolph Ochs’ Chattanooga Times, which was his first newspaper before he bought the New York Times. So like The New York Times, it is rabidly anti-suffrage. So The Chattanooga Times is mind boggling in its editorial coverage. It is way over the line in its animosity toward suffrage. But the reporting is very detailed. The reporting is excellent and very valuable to me. So you can see how I can have all these different streams of contemporary reporting, and I make this timeline really by the hour because things change by the hour.

AK: And what about the national coverage? How extensive was it?

EW: Very extensive. Because it’s not just Tennessee. Everyone realizes this is going to decide whether the 19th Amendment is ratified anytime soon.

Because if it fails in Tennessee, chances are it’s not going to happen for a long time because most of the other Southern states have rejected it. It only takes 13 states to reject it and it’s dead. There’s already nine or ten that rejected it. And there are three states that are going to refuse to consider it for political and corporate reasons—they’re under corporate pressures. Those are Connecticut, Vermont and Florida, and in Connecticut and Vermont the legislatures would probably ratify, but the governors refuse to call them into special session.

So everyone realizes 27 million women could get the vote if this passes and so they do send reporters. Of the major national newspapers, everyone pretty much has a reporter. For instance, by this time New York women have the vote. The Times’ animosity towards suffrage is still really there, especially in the editorial. But it’s covering it in a little more neutral way because the women citizens of New York now have a vote. I think they are moderating that tone in New York, though not in Chattanooga. So The Times is there and covering it pretty much every day. The Washington Post covers it thoroughly. The Christian Science Monitor does a very good job. It’s a major newspaper at this point. The Baltimore Sun is against and the 19th amendment has already been rejected in Maryland.

AK:  Was there anything particularly unique about the debate and vote in Tennessee that didn’t come up in other states that voted on suffrage? What role did Tennesse’s political divisions and culture have on the debate?

EW: It wasn’t just what’s happening on the ground [in Tennessee]. It’s what’s happening in the nation because it’s a presidential election, and so that enters into it very heavily. It’s the mood of the nation moving from an unpopular war and debate over the League of Nations, about what America’s role in the world is. A lot of nervousness about immigration, about automation, about people losing jobs to automation. It’s everything we’re talking about now.

And I could see also that all the themes of American history come coursing through the events in Tennessee because of the culture and because of what’s happening. And so those are:

States’ rights and racism, which plays a huge role in this. Sexism, of course. Corporate money in politics because corporate influence is a big part of the story—there’s a lot of secret, dark money funding the anti-suffrage campaign. So, in Tennessee, what you see happening is something that we will also see repeated all through the 20th and 21st centuries in subsequent civil rights campaigns. You’ve got the general anti-suffragists who don’t want women to vote, and that includes clergymen who say “this is against God’s plan.”

But then you also have the corporate interests. The railroads are against it. The textile manufacturers are afraid women are going to abolish child labor and they depend on that. And also the liquor industry—you know, Jack Daniels. And the bourbon and liquor industries are very big in Tennessee. Prohibition has just been enacted but they’re hoping it won’t be enforced, and they’re afraid if women can vote they’re going to insist on strict enforcement.

Then you have the states’ rights argument. The shadows of the Civil War are all over this story. They use Confederate imagery and Confederate language in the broadsides, in the photographs that the anti-suffragists distributed. The argument is that if all women can vote, black women can vote, and they’re not going to stand for that. Black men, of course, have had the vote legally since the end of the Civil War, but they’ve been disenfranchised effectively by Jim Crow laws, by onerous poll taxes and crazy literacy tests. The Grandfather Clause has actually been struck down, but they have many creative ways, including physical intimidation and lynchings, to stop black men, and they don’t really want to deal with black women. They’re not sure they can suppress them the same way. That is the main theme going on. The secondary one is states’ rights. They don’t want the federal government coming in, like they did in Reconstruction, and telling them what to do. And this is a federal amendment, and they don’t want the feds looking into their polling booth and telling them who can vote.

We see that again in the 1960s during the campaign for voting rights. Same thing for integration, and same thing now happening with voter suppression—states’ rights issue.

So, these themes which we think are historical and play a big role in the story in Tennessee, we’re still dealing with, which is what I’ve found so fascinating.

AK: I have a final question: If you could choose, what do you think is the most important lesson that readers would take away from your book?

EW: I can tell you what surprised me and then I’ll tell you the lesson.

The thing that surprised me in the research, is a), that it took so long. This is seven decades of women working for this— three generations. Carrie Catt had a rough estimate and says it’s over 900 campaigns that they’ve done at the local, state and national level—a huge organizational and political effort. So, the first thing that struck me is that this took so long.

Second the racial aspect of it—I had not anticipated that. And not just what happens in Tennessee, which is explosive. But that race was an issue in suffrage from the very beginning because it comes out of the abolition movement. They’re almost sibling causes that grow up together with many of the same participants. The women we think of as the foremothers, Stanton and Anthony, Lucretia Mott and Lucy Stone, are really abolitionists first. They come to suffrage through their experiences and this idea of universal personhood and universal suffrage. And they really expect to get it after the Civil War and of course there’s a huge split.

The other abolitionists who they work with closely for decades say, “the woman’s hour is not now. This is not the woman’s hour.” And that’s where the title of my book comes from. And the women wait for another 50 years, and then the racial aspect comes back in the last phase of the movement when it’s going to be decided in the Southern states. So that was very surprising to me.

Also surprising is the fact that there were women who opposed suffrage so stridently, like the muckraking journalist editor Ida Tarbell. She’s vice president of the anti-suffrage league. Eleanor Roosevelt’s not a suffragist. So that’s surprising. I think the reader will be surprised.

I think the lessons to come out of it are for activists. I think there are strong lessons to be learned from the suffragists and one of them is yes, you have to stand up. These were ordinary, grassroots women, school teachers, shop girls, factory workers, society women—they’re all standing up and saying this is wrong, “we are citizens, we should vote.”

But they didn’t just protest. They also had to develop very sophisticated political strategies. And the other thing is to realize how sophisticated their political operation was—and I’m talking about both the mainstream suffragists and Alice Paul’s National Women’s Party.

And then also, that reform movements almost always split at some point. And that’s true for the abolitionists, for the African-American civil rights movement, the labor movement, the gay rights movement, the new iterations of women’s movements. It’s natural to have different strategies and different tactical paths. And the lesson is to try to harness those different energies rather than allow it to dissipate the momentum. So that’s what I see as lessons for now.

The Myth of Seneca Falls: Memory and the Women’s Suffrage Movement, 1848-1898

This book by historian Lisa Tetrault tackles what she calls the “myth” of the famous 1848 Seneca Falls convention. Here’s a summary of the book:

The story of how the women’s rights movement began at the Seneca Falls convention of 1848 is a cherished American myth. The standard account credits founders such as Elizabeth Cady Stanton, Susan B. Anthony, and Lucretia Mott with defining and then leading the campaign for women’s suffrage. In her provocative new history, Lisa Tetrault demonstrates that Stanton, Anthony, and their peers gradually created and popularized this origins story during the second half of the nineteenth century in response to internal movement dynamics as well as the racial politics of memory after the Civil War. The founding mythology that coalesced in their speeches and writings–most notably Stanton and Anthony’s History of Woman Suffrage–provided younger activists with the vital resource of a usable past for the ongoing struggle, and it helped consolidate Stanton and Anthony’s leadership against challenges from the grassroots and rival suffragists.

As Tetrault shows, while this mythology has narrowed our understanding of the early efforts to champion women’s rights, the myth of Seneca Falls itself became an influential factor in the suffrage movement. And along the way, its authors amassed the first archive of feminism and literally invented the modern discipline of women’s history.

Reviews:

Journal of the Civil War Era

Women’s Review of Books

H-SHEAR

Buy the book here. 

Read excerpts of the book here.

 

 

Womanist Forefathers: Frederick Douglass and W. E. B. Du Bois

In Womanist Forefathers: Frederick Douglass and W. E. B. Du Bois, scholar Gary L. Lemons uses the memoirs and political writing of Douglass and Du Bois to explore their progressive politics on women’s rights. Both Douglass and Du Bois were ardent supporters of women’s suffrage.

Here’s the SUNY Press summary of Lemons’ book:

What role did African American men have in the early twentieth-century struggle for women’s suffrage? How is gender significant to the historical and contemporary struggles for African American liberation? In Womanist Forefathers, Gary L. Lemons examines the memoirs and political writings on women by Frederick Douglass and W. E. B. Du Bois, positioning these radical proponents of female equality as “womanist forefathers” to later generations of gender progressive black men. Lemons argues that the writings of Douglass and Du Bois, which merge confessional narrative with social criticism, demonstrate the power of pro-womanist thinking in the vision of racial uplift both men advanced. Womanist Forefathers then traces the lineage between these early African American activists to contemporary pro-feminist black men, many of whom have similarly combined analyses of the personal with the political to envision a black male brotherhood founded on womanist principles, free from nationalism rooted in patriarchy, heterosexism, and homophobia.

For more, check out Du Bois’ writings on suffrage in Crisis magazine, the NAACP publication he edited.

Portions of Womanist Forefathers are available for free on Google Books.

You can also buy the full book here.

Smithsonian Interviews Elaine Weiss on Tennessee’s Role in the Suffrage Fight

The book The Woman’s Hour: The Great Fight to Win the Vote, published in March 2018, tells the fascinating story of the fight over suffrage in Tennessee, the last state needed to secure a Constitutional amendment to give women full voting rights.

Smithsonian published an informative interview with the book’s author, Elaine Weiss. The interview discusses, among other topics, the role race played in the debate over suffrage in Tennessee, the money behind the anti-suffrage forces, and what conventional wisdom gets wrong about the suffrage movement.

Read the full interview here.

 

 

A Special SuffrageandtheMedia Report: How the Media Covered the New York State Suffrage Centennial

February 12, 2018

By ALEX KANE

 

On November 6, 1917, New Yorkers voted to give women the right to participate in elections. It was a milestone for the national movement to get women the vote, and helped paved the way for ratification of the 19th Amendment to the US Constitution, which enfranchised every eligible American of voting age in 1920.

Celebrations across the state in 2017 honored the 100th anniversary of this New York milestone. Up, down, and across the state, local communities both big and small held events that highlighted the sacrifices and activism that led to victory.

Performers for “Votes for Women,” a play put on in New York that chronicled the suffrage movement. Photo: Ron Schubin/”Votes for Women” by Krysta Dennis.

 

The New York press dutifully followed along. Media outlets, particularly local newspapers, covered many of these events. The local coverage focused on reenactment marches; historic markers commemorating particular suffragists; book talks and readings; museum and historical society exhibits; plays; and the elected officials who showed up. The volume of local press coverage was substantial.

The deluge was not accidental. It grew out of years of organizing among pockets of advocates who pushed for government funding for suffrage centennial commemorations and concerted publicity drives to put these often voluntary efforts in the public eye. The state centennial funding appropriation of $500,000 was far below the $2 million suffrage event organizers had requested.

Scarlett Rebman, a grants officer for Humanities NY, spoke about the considerable energy community organizations put into digging up local suffrage history. She said local media outlets were important contributors. She said they “uncovered a lot of interesting stories and interesting sources.” Humanities NY had responsibility for distributing $266,000 in grants around the state for New York suffrage centennial events.

The attendance count for events her organization funded stood at more than 90,000 by January  2018.The total number is likely higher, since the organization does not keep track of the numerous other events that did not receive Humanities NY funding.

Some examples of significant local news coverage:

  • The Adirondack Almanack publicized a reenactment of a 1900 suffrage convention held in Glens Falls, NY.
  • The Auburn Citizen reported on a Girl Scouts convention held in Seneca Falls, the birthplace of the national women’s rights movement, and a speech Lt. Gov. Kathy Hochul, chair of the NY Women’s Suffrage Commission, delivered to the scouts.
  • WNYC, the popular radio outlet, took a look at suffrage commemorations in the five boroughs on the 100th anniversary of winning suffrage, and conducted an interview with an expert on suffrage.
  •  AMNY covered plans to erect statues of suffrage leaders in Central Park.  
  • And the East Hampton Star  focused on the planning and reenactment of a 1913 rally and march for suffrage attended by Harriot Stanton Blatch, whose descendants came to the East End to participate.

The opening of the women’s suffrage exhibit at the New York State Museum in Albany is a centerpiece of the celebration. Called “Votes for Women,” it features over 250 items that help tell the story of how New York activists won their fight. In addition to extensive coverage in the local press, the Associated Press covered it, generating reprints in such outlets as US News and World Report, the Seattle Times, and the Washington Times, among others.

Attendees at the “Votes for Women” exhibit at the New York State Museum in Albany. Photo courtesy of the New York State Museum.

 

“It was covered around the state quite a bit mostly because we borrowed from so many different local institutions,” said Jennifer Lemak, the chief curator of history for the New York State Museum, adding that the museum borrowed artifacts from over 50 institutions in New York State, creating interest in the project from communities whose artifacts are on display.

Lemak added that tours of the exhibit were well-attended. And while the state museum does not keep track of attendance by exhibition, Ashley Hopkins-Benton, a senior historian and curator at the museum, said that on “social media right now, if you look at the photographs people post from the museum, a quarter to a third are from the suffrage exhibit.”

Lemak said that the museum exhibit has had success in attracting a younger audience, even though the exhibit was light on the use of multimedia or interactive features. The exhibit’s two digital components were a video about the 1974 Equal Credit Opportunity Act—which prohibits creditors from discriminating against applicants on the basic of race or sex (see the video below)–and a big map of New York with videos and pictures of women’s protests projected on it.

 

“We declined to have more AV/digital components in the gallery because the artifacts are so great we did not want to distract attention away from them,” she said.

The museum was able to broaden the impact of the exhibition with a suffrage program, based on the museum exhibit, made available to more than 50 different institutions in New York, which then were able to print it out and put it on display.

In addition, many historical societies created their own exhibits to highlight different communities’ contributions to the suffrage movement, exhibits that in turn generated local press coverage. Attending the Suffolk County Historical Society’s suffrage exhibit was mandatory for students at a local high school, and several Girl Scout troops came, said Wendy Polhemus-Annibell, the head research librarian at the society.  

The Ticonderoga Historical Society’s exhibit was similarly well-attended. “I know from informal feedback that our ‘Votes for Women’ exhibit was very popular,” said Diane O’Connor, the program assistant at the historical society. “And, since we set an attendance record during the 2017 season (nearly 3,000) visitors to the museum, it would follow that the exhibit was enjoyed by many.” Local media attention was also strong, she said. “We had several local angles to the history of suffrage (Sarah Thompson Pell and Inez Milholland), and I believe this made our local media very receptive.”

And the Rochester Area Suffrage Centennial Alliance’s exhibit, “Because of Women Like Her . . . Winning the Vote in New York State,” was featured at the Rochester Public Library. Michelle Finn, Rochester’s deputy historian, said that during the exhibition’s 2017 run, more than 27,000 people were counted at the library’s door.

Celebrity involvement in suffrage-related events also attracted media attention. For instance, Meryl Streep’s narration of a short film on suffrage, “We Rise,” which exclusively played at the New York Historical Society museum exhibit “Hotbed,” garnered coverage outside the local press. For instance, Hollywood Reporter and Refinery29 ran articles on Streep’s involvement.

Another popular event that the local press covered was the placement of historic markers to highlight particular suffragists. The William G. Pomeroy Foundation gave out over $20,000 dollars to communities in New York. That money funded the placement of 20 markers to honor suffragists such as Margaret Olivia Slocum Sage, a philanthropist and suffragist from Sag Harbor, Elizabeth Browne Chatfield, a suffragist who was the secretary for Susan B. Anthony and who lived in Owego, NY, and Mae Groot Manson in East Hampton, NY.

 

Standing in front of a suffrage marker for Mae Groot Manson in East Hampton, NY. Photo: Coline Jenkins.

 

“The dedication ceremonies were highly attended, and had some amazing speakers,” said Paula Miller, the executive director of the William G. Pomeroy Foundation. Those dedication ceremonies lead to substantial local press coverage of the marker program, she added.

Coline Jenkins, the great-great granddaughter of suffrage icon Elizabeth Cady Stanton, said local media coverage of suffrage markers, and other centennial events, was “a way of reminding women how hard it was to get the right to vote, how it shouldn’t be taken for granted, how it should be used.  It is the right that you get all of your other rights from. It’s really important to get all these messages out.”

But much to the chagrin of volunteers who organized suffrage events, major newspapers such as the New York Times gave only minimal attention to centennial coverage.  

The Times did not completely ignore it, however. The paper ran an article on an opera on the issue, and a piece on the New-York Historical Society’s exhibit on the role Greenwich Village played in suffrage activism. It also reviewed two relevant books in its metropolitan section. In all, only three articles on the New York centennial appeared in the newspaper, although its online-only New York Today did mention the centennial a few times, including suffrage-related events at local venues. Articles on the subject of the suffrage movement more generally did not give the state centennial celebration special focus.

The Wall Street Journal appeared to be even less interested. The newspaper did reprint a number of Associated Press stories on the topic but produced no original reporting on the subject.

In general, little attention was paid to the role of particular minority groups who played a big, if little unacknowledged, role in the suffrage movement.

There was some coverage of the role that black women played in the movement, many of whom worked hard for the vote despite divisions in the movement over black civil rights and outright racism.

That said, numerous media outlets covered Gov. Andrew Cuomo’s announcement of plans for a statue of Sojourner Truth, a black advocate for suffrage and the abolition of slavery. There was also some local press coverage on the role black women played and the divisions in the movement over black civil rights. Some local outlets covered book talks given by Susan Goodier and Karen Pastorello, whose book, Women Will Vote: Winning Suffrage in New York State, includes chapters on the voting rights advocacy of black people, the working-class, rural New Yorkers, and immigrants. Still, the coverage of minority groups’ role paled in comparison to more general coverage of suffrage.

Rebman of Humanities NY said it was her sense that “a lot of groups, as they developed their events, were sensitive to telling an inclusive story, and also in dealing with the complicated sense of that story.” Still, she said, “There was sensitivity to that but there’s more work to be done.”

Publishing houses timed a few books to the New York centennial and they, in turn, received wider attention than they likely would have, given their placement with academic houses. Sam Robertson’s “New York Bookshelf” column in the New York Times featured both The Suffragents: How Women Used Men to Get the Vote, by Brooke Kroeger (who runs this website), and the aforementioned Goodier-Pastorello book, Women Will Vote. Kroeger wrote articles for Town & Country, the New York Daily News, and Tablet magazine on the men who lobbied for suffrage, and one in press for Zócalo Public Square/ASU/Smithsonian’s “What It Means to Be an American” series. The Gotham Center for New York History’s blog devoted the month of November 2017 to a series of articles on women’s suffrage, including essays growing out of the research by all the current suffrage authors and several others.

Other outlets that ran book reviews and articles on those books, as well as Johanna Neuman’s Gilded Suffragists: The New York Socialites who Fought for Women’s Right to Vote, included The Ithaca Journal, which also reviewed Women Will Vote, and the Poughkeepsie Journal.

Neuman also attracted national press attention. The Atlantic magazine published an in-depth interview with Neuman on her book, and Neuman authored a Wall Street Journal article reviewing the “five best” books on the fight for suffrage.

Authors for all three books gave speeches and appeared on panels at dozens of local events across the state and beyond.

Cornell University Press, which published Women Will Vote, was pleased the attention the book received. “As a university publishing house, many of our titles are generally reviewed solely in academic outlets (which post reviews 1-3 years after publication date),” Jonathan Hall said in an email. He handled publicity for the book.

The SUNY University Press publicists for Votes for Women, a catalog based on the New York State Museum’s exhibit of the same name, and for Kroeger’s book, were similarly upbeat. “I definitely think that the centennial played a big role in the amount of interest we saw,” said Katherine Dias, who had publicity responsibility for Kroeger’s book.

But Christian Purdy, the publicist for Gilded Suffragists: The New York Socialites who Fought for Women’s Right to Vote (NYU Press) said he felt that other events in the news overshadowed the coverage the book received. “While Gilded Suffragists received some great reviews in mainstream periodicals, I was hopeful there would be more media interest given the 100th anniversary of the suffrage movement’s securing the right to vote for women in NYS,” he e-mailed. “Unfortunately media seem more obsessed with Presidential tweets and other DC nonsense than this historic milestone.”

 

American Women in Cartoons 1890-1920: Female Representation and the Changing Concepts of Femininity During the American Woman Suffrage Movement: An Empirical Analysis.

About the book:

Literature on the American woman suffrage movement is plentiful, but no work has systematically analyzed the visual aspect in the quest for woman suffrage. This publication fills this gap. Taking mid 19th century representations of women as a basis, it analyses political cartoons in three major woman’s journals between 1910 and 1920 and distills the visual representation of women in the counterpublic sphere of the woman partisan press. The portrayal of women in political cartoons of three general interest journals during the same time period simultaneously helps to trace sociocultural changes in the general concept of femininity in early 20th century USA. Women’s claim for suffrage not only asked for a political right. At the same time, the gender concepts of the day were being negotiated in a highly charged public discourse, in which the visual medium of the cartoon served as a particularly effective means of emotional persuasion.

The three major women’s journals analyzed in this work are: The Woman’s Journal (the official publication of the National American Woman Suffrage Association); The Suffragist (published by the Woman’s Party); and The Woman Voter (a regional suffrage publication based in New York City). Hundhammer also analyzes cartoons published in three general interest magazines: Life, Harper’s Weekly, and The Literary Digest. Of particular interest are the first few chapters of this book, which focus specifically on the suffrage movement.

ISBN-10: 3631637985
ISBN-13: 978-3631637982

A preview of the introduction is available in PDF format from beckshop.de. You can buy a copy of American Women in Cartoons 1890-1920 from its publisher’s website. College and public libraries are also likely to hold a copy of the book; check WorldCat to see if there is one near you.

 

Fighting Chance: The Struggle Over Woman Suffrage and Black Suffrage in Reconstruction America

In Fighting Chance, Faye E. Dudden writes about the controversies around the struggle for women’s right to vote and black suffrage.

About the book:

The advocates of woman suffrage and black suffrage came to a bitter falling-out in the midst of Reconstruction, when Elizabeth Cady Stanton opposed the 15th Amendment because it granted the vote to black men but not to women. How did these two causes, so long allied, come to this?

Based on extensive research, Fighting Chance is a major contribution to women’s history and to 19th-century political history—a story of how idealists descended to racist betrayal and desperate failure.

Of particular interest regarding suffrage and the media is Chapter 6, Revolutionary Journalism and Political Opportunism, in which Dudden writes about the history of Elizabeth Cady Stanton and Susan B. Anthony’s women’s rights newspaper, the Revolution, and its political impact.

ISBN: 9780199772636

Excerpts of the book are available through GoogleBooks and Amazon. You can buy a hardcover copy or an e-version of Fighting Chance from its publisher, Oxford University Press. University and public libraries are also likely to hold copies of the book; check WorldCat to see if there is one near you.

Woman Suffrage and Politics: The Inner Story of the Suffrage Movement by Carrie Chapman Catt and Nettie Rogers Shuler.

Carrie Chapman Catt, a founder of the League of Women Voters, and Nettie Rogers Shuler, a secretary for the National American Woman Suffrage Association (NAWSA), provide a close view of the women’s suffrage movement in their book Woman Suffrage and Politics: The Inner Story of the Suffrage Movement.

Both Catt and Shuler were heavily involved in the fight to secure a federal amendment granting women the right to vote, and in the book they chronicle the long struggle to get there.

Of particular interest to readers of this site is Catt’s and Shuler’s examination of how the press covered the suffrage movement. They reference various newspaper reports and women’s periodicals to flesh out their insider’s history of the women’s voting rights movement.

This is a summary of the book:

Every serious student of woman suffrage must take account of this vital contemporary document, which tells the story of the struggle for woman suffrage in America from the first woman’s rights convention in 1848 to the passage of the Nineteenth Amendment in 1920. Originally published in 1923, it gives the inside story of this remarkable movement, told by two ardent suffragists: Carrie Chapman Catt (of whom the New York Times wrote, ‘More than anyone else she turned Woman Suffrage from a dream into a fact’) and Nettie Rogers Shuler. Writing from vivid recollection, the authors offer some of their own ideas about what caused the United States to be the twenty-seventh country to give the vote to women when she ought ‘by rights’ to have been the first.

The book is available for free via the Library of Congress. Click the link below to access the PDF of the book.

Interview: Joan Marie Johnson on the Monied Women Who Funded Suffrage Activism

In Funding Feminism: Monied Women, Philanthropy, and the Women’s Movement, 1870–1967, historian Joan Marie Johnson dives deep into the world of wealthy women and the activist causes that benefited from their money.

She argues that female philanthropy was an expression of women’s political power at a time when they had very little, and that the cash they delivered to everyone from suffrage organizations to birth control advocates shaped the trajectory of those groups and causes.

Alex Kane, a researcher for this website, interviewed Johnson about how philanthropy impacted the suffrage movement and media that covered the fight for women’s voting rights.

Alex Kane: Given that the suffrage movement occurred before women entered the workforce in a widespread manner, where did the monied women who funded the suffrage cause get their money from?

Joan Marie Johnson: Most of the wealthy women in the book inherited their fortunes, from their fathers or from their husbands. What makes their giving to the women’s movement so fascinating is that despite their enormous privilege, and these were very wealthy white women, they still experienced discrimination as women. Sometimes it was in their families, where they were not allowed to go to college or work in the family business like their brothers. Sometimes they felt abused by husbands, who cheated on them. They did not feel financially independent until their husbands died, and sometimes even afterwards, when brothers, lawyers, or their husbands’ former business associates still controlled their money. Thus, despite their privilege they understood that it was essential to use their money to fund efforts to make change for women and bring about gender equality, and saw themselves as united with other women.

AK: Activist organizations are often competing against each other for similar sources of funding. What did your research tell you about this dynamic, and how did it impact the suffrage movement?

JMJ: My research uncovered both competition for similar sources of funding as well as cooperation and networking. For example, in the woman suffrage movement, leaders of the larger and more moderate National American Woman Suffrage Association (NAWSA) were incensed when Alice Paul and the new, more militant Congressional Union (which became the National Women’s Party) began fund-raising for a parade in Washington, DC. They complained that Paul was duping NAWSA supporters into giving to her instead. But there was also substantial cooperation. Many of these women knew each other socially, and they tapped their friends and neighbors for participation and contributions. The women’s movement benefitted from their social network, which informally built a circle of women who gave to these causes. There were also more formal efforts to organize nationally, with leaders in various cities each expected to bring a number of women in. In this sense, I would argue that the suffrage movement benefitted more from social networks than it suffered from competition.

AK: Did the wealthy women philanthropists you researched give money that went towards suffrage publications--and if so, did they have influence over the editorial direction of those publications?

JMJ: The women philanthropists I studied were very interested in publicity, especially in having their own publications, as Susan B. Anthony said, so they could “sauce back” their opponents. Most newspapers were not promoting woman suffrage, so they had to create to their own publications. NAWSA took over a long-running magazine, The Woman’s Journal, had to give it up because it was losing so much money, and then, as soon as they had the funding, bought it back and combined it with other publications to create a new magazine, Woman Citizen. The money for this came from a million dollar bequest left to Carrie Chapman Catt, the NAWSA president, by Mrs. Frank Leslie. She left her estate for Catt to spend however she liked, leaving Catt free to shape the editorial direction of the magazine.

AK: Did the money that flowed into suffrage organizations increase their ability to generate press attention? What were the most effective tactics these organizations used to get the press to cover them?

JMJ: The money flowing in and the women who gave it drew enormous press attention to the movement. The spectacle of wealthy society women speaking out publicly for woman suffrage was enough to garner press attention, especially from the New York Times, which was against woman suffrage. But even more importantly, they understood that educating the public and changing public opinion was essential to winning the vote. When Alva Vanderbilt Belmont became involved in NAWSA, she gave a large contribution – to pay for moving from Warren, Ohio, to a new headquarters in New York City where they could get more publicity and begin hiring publicists. Catt then spent a large portion of the Leslie bequest to fund 25 full time publicists who provided editorials, cartoons, statistics, features, silent movies, and the magazine. In addition, they financed more elaborate, attention-getting events like parades and the White House pickets.

AK: Alva Belmont, one of the wealthy pro-suffrage women you write about, had a column in the Chicago Tribune. What impact did her columns have?

JMJ: Alva Belmont’s column was particularly interesting because she wrote quite forcefully about women’s need for independence, the failings of men to protect women, the needs of working class women, and many other issues. She was very outspoken, and as one of the wealthiest and most elite women in New York, it was remarkable for her to have such an explicitly feminist column.

 

Gotham Center for New York City History: The Men Who Helped Get Women the Vote by Brooke Kroeger

Gotham: A Blog for Scholars of New York History published an excerpt from Brooke Kroeger’s book, titled The Suffragents: How Women Used Men to Get the Vote.

Kroeger introduces readers to the subject of her book, the Men’s League for Woman Suffrage, an elite group of men who lobbied New York’s legislature and governor on women’s suffrage.

Kroeger explains the significance of this league, which included luminaries like Rabbi Stephen S. Wise and Max Eastman, the well-known intellectual and writer, in this excerpt:

From a contemporary standpoint, it is remarkable to consider that one hundred years ago, these prominent men — highly respected and influential, their exploits chronicled regularly in the national media — not only gave their names to the cause of women’s rights or called in the odd favor, but rather invested in the fight. They created and ran an organization expressly committed to an effort that, up until the point at which they joined, had been seen as women’s work for a marginal nonstarter of a cause. From the beginning of their involvement, these men willingly acted on orders from and in tandem with the women who ran the greater state and national suffrage campaigns. How many times in American history has such collaboration happened, especially with this balance of power?

You can read the entire excerpt here. You can buy Kroeger’s book here.